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DPA 4011A

7

Small Diaphragm Condenser Microphone

  • Well suited for acoustic guitar and as a drum overhead microphone
  • Polar pattern: Cardioid
  • Frequency range: 20 - 20,000 Hz
  • Sensitivity: 10 mV/Pa, -40 dB re 1 V/Pa
  • Impedance: 200 Ohm
  • SPL max.159 dB SPL
  • Pad switch: - 20 dB
  • XLR connection

Note: requires 48 V phantom power.

Available since August 2001
Item number 149515
Sales Unit 1 piece(s)
Battery Powered No
Directional Microphone No
Stereo Pair No
switchable lowcut No
switchable pad Yes
characteristic cardoid
Condenser Microphone 1
Polar Pattern Cardioid
Incl. Clamp 1
inkl. Clamp 1
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23.090 kr
Free shipping incl. VAT
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
1

7 Customer ratings

5 / 5

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features

sound

quality

6 Reviews

M
DPA 4011A
Matmar 08.10.2021
3D natural sound,must have for acoustic instruments...
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4
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K
Magnifique
Kev27 16.11.2022
J'utilise une paire de DPA 4011A pour enregistrer un piano à queue Yamaha C2 en home studio. La cardioïde est parfaite pour mon usage : capter le son au plus proche des cordes et minimiser l'effet de réverbération de la pièce. Le son est parfait, sans aucun traitement, sur tous les supports. Ce produit n'est pas donné, mais il respire la qualité et semble être une référence dans le métier pour la prise de son d'instruments acoustiques. J'espère pouvoir en faire un usage intensif le plus longtemps possible.
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A
Top
A811 28.03.2018
klingt schön Flat und verträgt ordentlich SPL
nutze es für Percussions oder auch Vocals
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B
DPA d:dicate 4011A
Bombel 22.11.2017
Najlepszy mikrofon do nagrywania gitar klasycznych i akustycznych. Bardzo zrównowazony dól i srodek (oczywiscie zalezy to od instrumentu jaki nagrywamy) i klarowna góra, w zasadzie "lekko podcieta" dzieki czemu nie ma zadnych niepotrzebnych w brzmieniu gitary bardzo wysokich czestotliwosci. Elektronika zastosowana w tym mikrofonie powoduje, ze rejestrowane jest cale pasmo czestotliwosci gitary. To mikrofon, który po prostu stawiamy 0,5 - 1 m przed instrumentem (najlepiej na wysokosci zlaczenia gryfu z pudlem rezonansowym. Nagrywamy i brzmienie od razu jest takie jakie powinno :-)
Bardzo polecam ten mikrofon.
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