Let me start with saying that the level of workmanship can vary from sample to sample, so my experiences aren't necessarily true for you if you decide to buy one. I waited a few weeks before publishing a review, because it takes some time to go over all the details.
This guitar costs 179 euros, but looks like a guitar that could easily cost 10 times as much. The finish is breathtaking. It's actually a pity that they didn't match the headstock ? that would have been absolutely awesome!
The body has a seamless binding which exactly matches the aged white of the Wilkinson P90 pickups. I don't know it it's a real binding or just paint, but I couldn't care less. Even the F-holes have the same binding!
I have another semi-hollow guitar, a Höfner, which is as light as a feather and quite loud when played acoustically. This guitar is not lightweight by any means. It actually feels rather heavy, and when you look into the F-holes it's clear why: there's a massive center block in the middle, and the sides of the body are solid wood too.
The lack of a scale prevented me to weigh the guitar. In any case, this is not a flimsy construction, which I appreciate very much.
When hitting the low E while holding the guitar body to my own body, everything resonates in a very pleasant way. Maybe the 'string-through' system has something to so with that, not sure. Yet it is acoustically just above average, the guitar doesn't 'push much air'. It's enough for practicing though.
The neck is typical for a Telecaster model. It's not as thin as your typical Ibanez shredder, nor as thick as the ones found on a Gibson Les Paul. I think it's just perfect. It's a one-piece neck, so there's no scarf joint. Instead Harley Benton opted for two string trees to get the necessary angle. The string trees are the cheapest you can buy, but they appear to work well.
The neck was too straight out of the box, which resulted in fret buzz here and there -- in spite of the relatively high position of the saddles. No biggy, the necessary tools are in the box. I like my necks ever-so-slightly concave.
The tuners were a bit stiff at first, but accurate. They loosen up quickly. The nut is well cut for strings up to 010-046. For anything beyond that all bets are off.
All frets on my sample were perfectly level, but needed polishing and were *really* uncomfortably sharp at both ends. I had to polish them all, which is a LOT of work. This is something I find annoying, but it is fixable.
The fret board can use some lemon oil or, even better, Dunlop 02 'Deep Conditioner', which will bring back the beautiful rosewood color. In the end I even used a generic 'dark wood conditioner' which made the fret board even darker. Just a matter of taste.
The (Wilkinson?) bridge on my copy is fine. Intonation was a breeze. On almost all guitars I own the action was too high for comfort 'out of the box' and this HB is no exception. Just take your time to adjust the saddles to your own taste and don't forget to keep the radius of the neck in mind.
The sound of the Wilkinson P90 pickups come amazingly close to those on my $$$$ Gibson Centennial Les Paul Special. While these are single coils, there's hardly any hum unless I plug my amp into an AC outlet without a ground pin. Interesting.
In short: apart from the obvious things (general setup), you might have some work cut out for you to fix some annoying flaws. Yet I kept the price tag in mind, price/performance is what counts here.
When all work is done, this is an amazing guitar which can face any competition.