Studiologic SL88 Grand

I've been using it for a few weeks now and below I'll list all the pros and cons I've come to.

Pros:
1. Built like an absolute tank - the entire body (except the two side panels) is metal, and the whole thing is built in a very professional manner. It feels like it can really take a beating.
2. Beautiful, sleek, minimalistic design
3. Plenty of connectivity options
4. The keybed - it's a work of art. Fatar are very well known for making some of the most, if not the most realistic keybeds out there. The wooden keys with synthetic ivory feel fantastic to the touch. The keys are not too heavy, in fact they are slightly lighter than an actual orchestral grand, but the feel is essentially identical. Velocity response and aftertouch record flawlessly. It's an absolute joy.

Cons:
1. The keys can be a bit loud if you play with higher velocity. The thudding sound will most definitely be an issue for a light sleeper in the same or even the next room during the quiet hours of the night
2. The software is a bit confusing and there's not a lot of documentation or tutorials on how to use it properly
3. The joystick controls do feel high-quality and pleasant to the touch, but I just find them quite inconvenient for things like controlling expression/dynamics etc - you're much better off using a separate fader controller for that

One important note for people that buy this keyboard - in some DAWs, you might notice that when you record midi often times when a key is hit, two notes will be recorded, with the first one being the shortest midi note possible, followed by the actual intended note. This happens when you have multiple zones enabled in your controller. When you turn off all unnecessary zones the double note problem is resolved.

Overall, if you're someone that can play the piano and is looking for a professional grade master midi controller that feels like a real piano, this is a very, very good choice. And even if you can't play the piano but enjoy how a real piano's keybed feels, this controller will satisfy that itch. A huge bonus is Thomann's absolutely amazing customer service and prompt delivery. I'll definitely be buying more stuff from here.

Happy playing!

So there was abit of a mixup when I ordered my SL88 Studio.
What happened was that I got this one instead so I tried it out and then of course I had to buy it instead of getting the Studio version.
I love it<3 The feeling of the keys the sensitivity you get from this keyboard is just awesome. Long time since I felt so inspired to just keep playing and enjoying myself.
There are other great keyboards out there when it comes to the feel but what really impressed me was the accuracy of the touch to midi velocity, it really feels like I'm playing a good piano(after I adjusted the touch curve to my liking).
Setting the keyboard up is really easy with their PC/MAC software abit basic but good enough for my needs.
I really can't give this keyboard more praise then saying buy it you won't regret it.
Abit of a footnote though I'm not a classical piano player anymore so your opinion migth differ from mine. Still a dang fine piece of gear! And I'm about to buy another SL88 but this time I'll try their Studio version.

All body made from high carbon steel S275 or S355 at least I think - very sturdy and stable. Matt painting not reflective- functionally very good. Regarding scratch resistance and corrosion protection time will show. Side cups from plastic but not so cheep or thin - sturdy. Plus they save overall length of keyboard which I think is minimal as possible for 88 keys.
Action for me ( not professional keyboard player) superb. Do not use for glissando (the same for Roland RD2000 and similar) - not very suitable keyboard action for that. In general action stiff but could be more stiff for me ( comparing with my old upright with Renner action).
Keys surface not slippy- perfect for me at least. Action very silent, if you place keyboard on HORIZONTAL FLAT AND STIFF cushioned surface.
DO NOT FORGET THAT WHITE KEYS IS SOLID WOOD SANDWICHED BETWEEN TOP AND BOTTOM PLASTIC PARTS ( not glued thin layer of wood as Roland PHA-50 or Fatar TP400W) . Its adds mass and inertia for keys, adds bending and torsional stability . BUT WOOD ABSORBING AND RELEASING MOISTURE AS ALL NATURAL WOOD INSTRUMENTS ,therefore it is better not to keep controller near heaters or in high humidity for long time.
If after buying a new controller some keys have strange rattling/scratchy sound, try to tilt controller about 30-45deg to one side and play with this key. If not help-tilt to another side an do the same. It is because hammers is not hardly fixed on the pivot strip and when shipping( throwing ,tilting etc...) can move slightly inside keys. If this happens, hammers scratches somewhere inside and you can hear it.
But in general action is heavy in weight because is made mainly from steel / solid wood - superb materials ( google fatar TP-40w for photos).
Software> For me perfect. Some factory presets i think for GM.
I use my custom presets .Some presets with 4 zones for layering or for Hammond. Some presets with one zone for single software instrument.
And I use SL MixFace - recommended.
Sticks -perfect clean design ( alluminium covers). And perfect for software synth -especially loose stick Nr.3
12 points goes for SL /Fatar :)
BUT ONLY ABOUT A MONTH IN USE ONLY AT HOME.

Ich bin unfassbar fasziniert von dem Kontroller.
Er hat zwar ein paar gängige Features nicht, bspw keinen onboard Sound, aber dafür kann das SL88 die Features, die es hat, richtig gut! Und selbst für den fehlenden onboard Sound hat StudioLogic mit ein paar VST-Klavieren auch eine Lösung parat.

Die Klaviatur fühlt sich richtig hochwertig an und lässt spüren, dass sie aus Holz ist, die Joysticks sind pratisch angebracht und das Menu (spätestens mit PCunterstüzung) auch sehr zugänglich.

Ich finde das SL 88 ist der beste Kontroller im Preisspektrum und definitv eine Empfehlung!