the box pro Mon A15

I've had 2 of these for 4 years now, and still going strong. Really lightweight but sounds good. Plenty of output, may struggle a little on high demanding situations e.g. very loud band requiring ridiculous levels from the monitors. But even without speaker protection from the desk, these have survived thus far and with the inbuilt clip protection, I'm not as worried about the occasional hot signal sent to these as I know they'll be o.k.
Had many compliments from artists saying how good it sounded on stage. Does need a little graphic e.q to make them sound sweet but nothing major, generally around 2.5k ish if I remember correctly, and somewhere around 400... can't remember right now. Listen for yourself. Even the big four figured priced brands require a little sculpting two!

Low end is not as big as bigger brands but hey, they kick out more than little concentric 12s and give out enough for pretty much all situations.
I've even used these for FOH on small parties and even a wedding (with additional subs). Again, nothing but compliments on sound!
Durability, well you get what you pay for, they're not super solid so you just have to take care with them to make them last.
I'm sure they'll still be going strong for another 4 years at least with a little TLC.

great monitor and well worth the reasonable price tag, used for live bands rock&pop even heavy rock monitors for both vocal and instrument fold back and have handled everything thrown at them, good feedback resistance and a decent clear sound just a little bass heavy shame no frequency (hi, mid, bass) control does have foh and mon selector button, which does liven the sound a little, setting level dial at about 12o'clock seems to be best to avoid peak, allows for a few high signals, they are loud, well loud enough, they are a bit of a lump ergonomically the all round surround handles on the sides are good and offer some protection to the cable entry .I do tend to carry them upright on end..holding them underneath makes it easier to get through standard doors, you can carry in one hand too if you don't mind waddling !!
They sit solid and also have a good dispersion angle for performers, one niggle is the paint finish comes off quite easy and scuffs and dents soon appear if transported unprotected but then again nothing a bit of matt black paint wont sort out if this bothers you, to me function is more important than finish, overall very pleased with them and receive good compliments from performers using them too ,

I've been using 2 of these speakers for a year or two now and must say they are really great. No electrical issues, sound is crystal clear and they are fregging LOUD. Loads of connection option, good and sturdy casing, strong front. There is no amplifier overheating whatsoever, so there is no need worry about it crapping out in the middle of the gig.
I am using 2 in a 6x6m room regular in rock/metal band, and they go over Marshall 11 volume :D

The only mechanical issue I found is that the paint is easily scratch-able. So, if used a lot on the gigs/transport, you will have to paint them every year or so. if used in the rehearsal room, you are good for 10-15 years :) and yes, its a bit heavy(duuh its a 15").

I bought this item 'the box pro Mon A15' To serve as my on-stage amplification for my Keyboards, AxeFx 2 and Monitor feed from the Desk(Through a Behringer 4 channel mixer) and it excels in all areas of this Mix!

Due to the Co-axial design, the feel and clarity remain constant whether i am standing directly in front of the monitor or moving around. This is very important when using it as my main source of amplification for the Axefx 2(Guitar players will understand the need for "Feel")

The clarity of the Keys is out-standing, From low synth notes to high piano the range is there!

For my full band monitor mix I have Kick,Hats, Acoustic guitar all vocals and depending on venue, A small mix of snare and even Bass guitar included in the mix.
The mix never gets muddy and I haven't found the monitor to be lacking any power, even on the loudest of stages.

The monitor is relatively light amd is easy to handle due to the well thought out recessed handles. Can take both 1/4 Inch Jacks and XLR connectors and also features a link thru feature. Ground lift option(very handy for venues with poor power) and the Backline/FOH switch appear to alter the mid-frequency depending on your application.

One (Very minor)thing to note would be that even though I purchased the waterproof cover for this monitor coupled with careful handling, the finish has started to chip. Not an issue for me as the sound quality more than makes up for any visual short comings plus if thats the only thing i can fault this thing on then you know you are on to a winner.

Overall I would recommend this monitor to a gigging musician who needs a quality monitoring solution but without the ridiculous, inflated price tag that comes with similar household name monitors.