To the page content

AKG C414 XLII Stereo Set

39

Condenser largediaphragm microphone

Stereoset consisting of two matched condenser largediaphragm microphones

  • Successor to the C 414B-TLII
  • Now with 9 switchable directional characteristics (cardioid, wide-cardioid, hypercardioid, omnidirectional, figure-8 + 4 intermediate positions)
  • Frequency range: 20 - 20,000 Hz
  • Dynamic range: 140 dB(SPL) max
  • Improved details above 4kHz
  • Lock mode to save the settings
  • Peak-Hold display
  • Status LEDs
  • 3-Way switchable bass cut filter (0/40/80/160 Hz)
  • 3 Preattenuation pads (0/-6/-12/-18 dB)
  • Microphone capsule: CK12
  • Transformerless XLR Output (FET)
  • Incl. elastic mounting (H85), windshield (W414X) and aluminium case
Available since February 2010
Item number 240603
Sales Unit 1 piece(s)
Tube No
Switchable Polar Pattern Yes
Omnidirectional Yes
Cardioid Yes
Figure-8 Yes
Low Cut Yes
Pad Yes
shockmount included Yes
USB Microphone No
25.990 kr
Free shipping incl. VAT
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
1

39 Customer ratings

4.9 / 5

You have to be logged in to rate products.

Note: To prevent ratings from being based on hearsay, smattering or surreptitious advertising we only allow ratings from real users on our website, who have bought the equipment from us.

After logging in you will also find all items you can rate under rate products in the customer centre.

features

sound

quality

25 Reviews

A
AKG C414 XLII studio workhorse mic stereo set
Anonymous 23.02.2016
Polyvalent, for sure. The many patterns adapt the mics to every situation. The interface (push buttons and leds) is very agreeable to use. Tremendous sensitivity.
They do feature a clear treble boost above 3kHz, which is exactly what makes them desirable on source that benefit from that. I adore them on vocals, as they give exactly what a vocal needs to cut through the mix, in a way that is not harsh at all. Yet, for the same reason, I don't like them on instruments that could already be a bit too clear to sit well in the mix. Violin gets easily harsh through them and you then need EQing, which always subtracts some of the good vibrations alongside the bad ones.
I could regret a little the variations in sound between the different patterns.
I could compare them to the Neumann TLM 107 which have a similar purpose. The TLM 107 are way more neutral, which might be, for some applications, more desirable, and for others, well less.
features
sound
quality
0
0
Report

Report

TK
A must to have
Taner Karal 21.05.2021
Good quality work horses, reference and a must have for every sound engineer.
features
sound
quality
0
0
Report

Report

A
Anonymous 06.01.2017
These are the best mics I own, they are a proven classic and you can use it for almost everything. I use them a lot as over heads and also as room mics. Very very versatile!
features
sound
quality
0
0
Report

Report

A
Great quality
Anonymous 10.04.2015
Great sound on acoustic guitars, I'm using them in a XY array and i'm very satsfied. Came with a big sticker on the case which was very hard to remove, but that's no fault from Thomann
features
sound
quality
0
0
Report

Report

YouTube on this topic