The Behringer BA 19A is a boundary microphone that delivers a powerful sound, while its semi-cardioid polar pattern means it doesn't pick up background noise and won't generate feedback. The unit is contained in a robust metal housing, which effectively protects the microphone capsule and the electronic inner workings from damage. The Behringer BA 19A also offers an alternative to standard transmission thanks to its built-in two-stage EQ function. It has a couple more tricks up its sleeve too, like the LED ring around the XLR socket, which lights up when phantom power is activated.
The Behringer BA 19A is a condenser microphone that requires 48V phantom power for operation, and according to the manufacturer's specs has a frequency range of 50Hz to 18kHz, with a relatively even, balanced frequency response curve between 30Hz and 5kHz that slowly drops off as the frequency increases. The mic's transmission mode can be altered by activating the EQ switch on the bottom of the device: The centre frequency will drop at levels of around 400Hz, allowing the aspects that are most important for a bass drum, such as the low end or the attack, to come into their own, while cutting midrange resonance.
The Behringer BA 19A is an unbeatably affordable boundary microphone that delivers professional-level performance, considering its price. It offers a powerful sound with a good resolution, and the sound can be further customised and configured with the built-in EQ switch. Both its workmanship and its sound quality – as well the illuminated XLR socket, a nice touch – make the Behringer BA 19A a real alternative to higher-priced boundary microphones. Beginners and advanced users will thus find it to be a reliable microphone for use in the studio and on stage.
The company, which was founded in Germany by Uli Behringer and now manufactures its products in China, has been known for affordable and great-value equipment since its very first product, the Studio Exciter F. An array of mixing consoles (such as the Eurodesk MX8000), signal processors, and later sound amplification and monitoring equipment, has made it possible for countless musicians to fit out their home studios, practice rooms, and mobile PAs within budget limits that were previously unthinkable. The acquisition of other companies, including Midas, Klark Teknik, and TC Electronic, meant that new product groups were added - and also resulted in the technical expertise of these companies being incorporated into product development.
Placed inside a bass drum, and used in neutral mode, the Behringer BA 19A boundary microphone will pick up impact noise and low end perfectly; if the built-in EQ is also activated, listeners will hear a clear emphasis on both the low end and the attack. Positioned on the floor in front of the drums and used as a front-of-kit microphone, the Behringer BA 19A also achieves excellent results that will make a considerable difference in the mix. Another possible application is with a cajón, where it's also best placed on the floor in front of the instrument.