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P
Ein sehr angenehmes Mundstück.A very comfortable mouthpiece.
Philippe724 16.11.2012
Eine schöne, volle warm Klang, vor allem in hohem Register (ohne Problem bis kontra D, aber sind die Alt-Posaunen dafür!). Etwas zu klein für Symphonie, aber sehr gut für Jazz, Big Band oder Solist. Sehr zufrieden.
A beautiful, full, warm sound, especially in the high register (no problem up to contralto D, but that's what alto trombones are for!). A bit too small for a symphony, but excellent for jazz, big band, or solo performance. Very satisfied.
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M
Quello che cercavoWhat I was looking for
Miki-BackSwingOrchestra 12.02.2020
Da 19 anni usavo i bocchini Bach e avevo trovato l'equilibrio con il 6-1/2A sul mio trombone a canneggio largo. Quando ho affiancato un trombone a canneggio stretto ho provato il 6-1/2A a penna stretta, ma non rendeva giustizia: era cupo e non aveva la brillantezza che serve ad un trombone a canneggio stretto.
Bach non fa il 6-1/2A con tazza meno profonda, e quindi ho provato il 6-3/4C: la brillantezza c'è, ma il diametro più piccolo non si adattava alla mia morfologia.
Quindi sono approdato al Denis Wick 7CS: diametro del 6-1/2A e tazza alta del 6-3/4C. Una favola. Acuti strepitosi, bassi pieni e ricchi e poca stanchezza anche nelle sessioni di musica più lunghe (suono in una big band jazz, secondo trombone).
Veramente consigliato.
Da 19 anni usavo i bocchini Bach e avevo trovato l'equilibrio con il 6-1/2A sul mio trombone a canneggio largo. Quando ho affiancato un trombone a canneggio stretto ho provato il 6-1/2A a penna stretta, ma non rendeva giustizia: era cupo e non aveva la brillantezza che serve ad un trombone a canneggio stretto.
Bach non fa il 6-1/2A con tazza meno profonda, e
Da 19 anni usavo i bocchini Bach e avevo trovato l'equilibrio con il 6-1/2A sul mio trombone a canneggio largo. Quando ho affiancato un trombone a canneggio stretto ho provato il 6-1/2A a penna stretta, ma non rendeva giustizia: era cupo e non aveva la brillantezza che serve ad un trombone a canneggio stretto.
Bach non fa il 6-1/2A con tazza meno profonda, e quindi ho provato il 6-3/4C: la brillantezza c'è, ma il diametro più piccolo non si adattava alla mia morfologia.
Quindi sono approdato al Denis Wick 7CS: diametro del 6-1/2A e tazza alta del 6-3/4C. Una favola. Acuti strepitosi, bassi pieni e ricchi e poca stanchezza anche nelle sessioni di musica più lunghe (suono in una big band jazz, secondo trombone).
Veramente consigliato.
I had been using Bach mouthpieces for 19 years and had found the balance with the 6-1/2A on my wide bore trombone. When I placed a narrow bore trombone alongside it I tried the 6-1/2A narrow bore, but it didn't do it justice: it was dark and didn't have the brilliance that a narrow bore trombone needs. Bach doesn't make the 6-1/2A with a shallower cup, so I tried the 6-3/4C: the brilliance is there, but the smaller diameter didn't suit my morphology. So I landed on the Denis Wick 7CS: 6-1/2A diameter and 6-3/4C tall cup. A fairy tale. Amazing highs, full and rich bass and little tiredness even in the longest music sessions (I play in a jazz big band, second trombone). Truly recommended.
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H
Mäßiger Sound in den hohen und tiefen LagenModerate sound in the high and low registers
HubertusP 24.03.2015
Ich habe mir das Denis Wick 7CS für ein Marching Baritone gekauft. Die Verarbeitung ist einwandfrei. Die Ansprache ist zufriedenstellend. Leider habe ich in den hohen und tiefen Lagen keinen ordentlichen Sound erzeugen können; die Mittellagen waren o.k.. Für mich war es nicht geeignet.
Die Entscheidung fiel auf ein Bach 12 C mit dem ich in allen Lagen restlos glücklich bin.
I bought the Denis Wick 7CS for a marching baritone. The workmanship is flawless. The speech is satisfactory. Unfortunately, I wasn't able to produce a decent sound in the high and low registers; the middle layers were ok. It wasn't suitable for me. The decision was made for a Bach 12 C, which I am completely happy with in all situations.