The KH 150 from Neumann is a powerful bi-amplified studio monitor with clear mids and precise impulse reproduction. This is made possible by DSP-controlled electronics which allow for a deeper bass response as well as sophisticated crossovers that avoid the phase distortion caused by analogue filters. The linear frequency response can be adjusted to the acoustic environment using the three-band EQ or Neumann's MA 1 Automatic Monitor Alignment software for Mac and PC. When compared with other monitors in the same price category, the KH150, which lies between the KH 120 and the KH 310 in the Neumann range, features impressive digital connectivity options and Ethernet capability. In particularly complex networks, the Neumann KH 150 AES67 model offers full compatibility with various broadcast standards such as ST 2110, ST 2022-7 redundancy, and RAVENNA, as well as different network protocols. Numerous mounting accessories are available for the KH 150, which is also available in white.
The KH 150's reference-class performance is underpinned by a 6.5" woofer in a bass reflex cabinet that provides a stunning low-end response and a high maximum SPL with undiminished clarity even at the full output of 320W. Audio signals are fed either in an analogue format into an XLR socket or digitally into the S/PDIF input. The cable runs can be up to 100m for analogue and 200m for digital sound inputs with the ground lift eliminating ground loops between equipment. If the KH 150 is used with digital sound sources, the signal can be daisy-chained with a stereo sound system, for example. While Neumann's Mathematically Modelled Dispersion waveguide guarantees a wide sweet spot and minimises desk reflections, the three-band EQ in conjunction with input level and output gain controls allow for further room calibration. And those looking for even more control can use Neumann's Automatic Monitor Alignment MA 1 software, which is available separately.
With the KH 150, both professionals and ambitious home studio producers can create a monitoring environment that will fulfil even sophisticated requirements. The input level of the monitor, which is suitable for any style of music, can be lowered if a rich bass response and a high sound pressure level are required in the mix, for example in EDM productions. Producers of radio plays and Classical music as well as podcasters can rely on the KH 150 to reproduce the finest sound nuances, and since the monitor can be combined with other KH models, it fits perfectly into immersive surround sound setups for gaming as well as video and film production.
Georg Neumann GmbH was founded in Berlin in 1928 - and is certainly one of the most famous brands of microphones in the world. However, this is not the company's only sphere of activity. For many years, the versatile inventor and pioneer Georg Neumann was also involved with vinyl record cutting machines and the development of rechargeable batteries. The technology he developed is still the basis for this now crucial and rapidly expanding market. What is more, for many years the company built highly personalised sound control systems for broadcast studios/theatres and concert halls, and for several years also studio monitors. In 1991, Neumann became part of the Sennheiser group of companies, and in 1999 was the first German company to receive the Technical Grammy for their overall technical achievements.
For use in studio applications, the KH 150 can be mounted on the horizontally and vertically tiltable Neumann LH 32 wall mount, the LH 46 ceiling mount, or the LH 29 TV spigot. The recommended listening distance is between 1 and 2.5 metres. With the optionally available Automatic Monitor Alignment Neumann MA 1 software, room acoustics can be easily calibrated and optimised, and unlike conventional correction software, alignment data are stored and processed within the DSP-powered loudspeakers themselves, while the included measuring microphone analyses the acoustic environment.