Sontronics DM-1B

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Large Diaphragm Condenser Microphone

Specially designed for kick drum microphones
Also suitable for picking up bass amplifiers, deep woodwinds and brass instruments etc.
Frequency range: 20 - 20000 Hz
Polar pattern: Cardioid
Pad switch: 0dB, -15 dB
Impedance: <= 200 Ohm
Equivalent noise level: 14 dB (A)
Sensitivity: 6 mV / Pa
Maximum SPL (0.5% THD @ 1000 Hz): 155 db (with 15 dB Pad)
Requires 48V phantom power
XLR connector
Dimensions: 144 x 72 x 72 mm
Weight: 804 g
Includes microphone holder and aluminium case

30-Day Money-Back Guarantee

3-Year Thomann Warranty

Available since March 2011

Item number 262535

Sales Unit 1 piece(s)

Tube No

Switchable Polar Pattern No

Omnidirectional No

Cardioid Yes

Figure-8 No

Low Cut No

Pad Yes

shockmount included No

USB Microphone No

4.699 kr

Free shipping incl. VAT

335

Sales Rank

in Large Diaphragm Microphones

3 Customer ratings

5 1 Customer 4 1 Customer 3 1 Customer 2 0 Customers 1 0 Customers

4 / 5

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2 Reviews

Nice great sounding mic!

CalleLundberg 16.10.2014

Very nice microphone. Works very good live, not prone to feedback at all. Nice beater click and bass thump. Has a little more of a vintage feel to the sound compared to the D112 (totally different mic but something that everyone can relate to). Not tried it on bass guitar yet but I can imagine it would do a good job in front of a loud cab. High SPL handling (155 dB with the pad switched in)! Easy to adjust thanks to the joint that you release and secure with the hand screws on the sides! More than that it looks very nice!

Comes with a nice hard case. Don't bring this mic to the small stage club gig as I don't think it would like having a beer spilled all over it.

Nice mic that I wouldn't hesitate trying in the studio!

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Seb23 26.11.2023

Ich benutze das Mikro um es live mit einer Grenzfläche zu kombinieren. Dabei positioniere ich es im oder kurz vor dem Loch. Der Sound ist im vergleich zum D6 oder Beta eher punshy und „vintage“ und hat nicht so viel Attack. In der Bassdrum funktioniert es für mich nicht. Habe beim recorden zudem festgestellt, dass man den Sound bei der Abnahme aussen am Resofell und mit einer Subkick kombiniert sehr in Richtung eines FET (U47 style) hinbekommt, wenn beide Signale in entsprechendem Verhältnis zusamnengemischt sind. Bin insgesamt zufrieden.

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Large Diaphragm Condenser Microphone

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Large Diaphragm Condenser Microphone

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