The Behringer Powerplay PM1 is an ultra-compact portable volume control for headphones. It is an indispensable tool whenever a performer is on the move, but still needs to be able to adjust the volume of the signal from their in-ears or headphones. The PM1 has a robust metal housing, a firmly attached metal belt clip, and an output socket that is also made of metal and secured with a locking tab: This makes this headphone amplifier robust enough to be used regularly for performing on stage, or for frequent sessions in the rehearsal room. It's a passive sound controller without the need for operating voltage, so it doesn't require batteries or a charger.
Behringer Powerplay PM1 is equipped with an XLR input socket designed for unbalanced stereo signals and equipped with a retaining mechanism, so it doesn't matter that the signal cable is routed downwards (to disconnect the XLR plug, there's a small metal button on the base of the device). This ensures that the Behringer Powerplay PM1 is always reliably and securely supplied with an input signal. The output is a mini-jack socket of the kind most commonly used for in-ear headphones. For all these reasons and more, this compact headphone preamp is also ideal for monitoring button headphones.
The Behringer Powerplay PM1 is a good option for anyone looking for a way to manage headphone signals without having to change batteries or constantly recharge numerous devices. To use the Behringer Powerplay PM1, all that's needed is a headphone amplifier that will allow a set of in-ears or headphones to be managed via a passive volume control; with the headphone amp output turned right up, the signal can be fed to the PM1, where volume levels can then be controlled precisely and without additional noise interference. Whenever a performer is too far from an adjustable headphone output to operate it themselves, the Behringer Powerplay PM1 is the solution.
The company, which was founded in Germany by Uli Behringer and now manufactures its products in China, has been known for affordable and great-value equipment since its very first product, the Studio Exciter F. An array of mixing consoles (such as the Eurodesk MX8000), signal processors, and later sound amplification and monitoring equipment, has made it possible for countless musicians to fit out their home studios, practice rooms, and mobile PAs within budget limits that were previously unthinkable. The acquisition of other companies, including Midas, Klark Teknik, and TC Electronic, meant that new product groups were added - and also resulted in the technical expertise of these companies being incorporated into product development.
Musicians can use the Behringer Powerplay PM1 in a variety of ways. Drummers can simply attach this compact headphone controller to the back of their waistband, running their in-ear cable down their back to the device itself. This gives them full freedom of movement, even when cabled up for monitoring. Keyboardists can send the signal from their mixer's headphone output straight to the Behringer Powerplay PM1 to create a customised monitor mix. The PM1 gives musicians full control over the volume at which they want to hear their monitoring, be it on stage, rehearsing, or recording. Public speakers of all kinds will also find much to like about this unobtrusive headphone amp, as long as they don't mind the cables.