Küng 1502 Studio Tenor Recorder

Tenor recorder

Baroque fingering
Material: Maple
Pitch: A' = 442 Hz
The Studio tenor recorder is well suited to playing in an ensemble either as a medium voice, or as the first in a low quartet (tenor to sub-bass). The recorder is gaining more and more in popularity these days, simply because of the pleasant sounds it produces.
This key-less tenor is relatively easy to get to grips with, in particular for the little finger at the bottom
Range: 2 octaves and a minor third
Produces a deep and warm sound
Length: 60.8 cm
Has been impregnated with paraffin
Inside and outside have been oiled

30-Day Money-Back Guarantee

3-Year Thomann Warranty

Available since August 2016

Item number 395830

Sales Unit 1 piece(s)

Material Maple

Colour Matt

Double Holes Yes

Keys No

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Küng 1502 Studio Tenor Recorder

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Küng 1511 Studio Tenor Recorder

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5.333 kr

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in Tenor Recorders (Baroque)

3 Customer ratings

5 3 Customers 4 0 Customers 3 0 Customers 2 0 Customers 1 0 Customers

5 / 5

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3 Reviews

Great recorder, some minor things

Recorder JAD 30.06.2023

This is a wonderful recorder. All the notes (at least the first two octaves) speak so easily. It's great. It's not heavy. The stretch for the hands is good for keyless. If you have small hands, this may be still a touch big. I don't have huge hands, and I can play it easily, although I do feel the stretch in both hands. The tone I would say is clear and pure. I expect that with maple, so I'm quite pleased. The joints were not as snug as I like, but they were not loose. The tenons themselves looked a bit thin, but if the recorder were bulkier, it would weigh more, and the weight is just right how it is. Oh, and the windway is straight. That doesn't bother me too much, but I guess I was expecting curved? Maybe I missed that in the specs? Overall, chef's kiss, love it. I especially love that it's treated with paraffin. Oh, and this was really of no consequence--the case was as pictured, but mine was a gray color.

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Très satisfait de mon achat

Mikaël73 27.06.2020

Tout d'abord, je tiens à remercier l'équipe de de Thomann qui a été très professionnelle dans sa gestion de ma commande qui m'a donné entière satisfaction. Il s'agit de mon premier achat chez Thomann et je n'hésiterai pas à recommencer !
Je suis un ancien joueur de flûte traversière et me suis mis il y a 6 mois à la flûte alto. Je ne suis donc pas familier des flûtes ténor. La flûte ténor Küng 1502 Studio que je viens de recevoir est très belle, parfaitement bien finie. Les trois parties s'emboîtent plus facilement que ma flûte alto, ce qui témoigne d'une meilleure qualité de fabrication. Le son est riche et égal sur l'ensemble de la tessiture de l'instrument.
Par conséquent, je recommande vivement cet achat à tous ceux qui souhaitent comme moi Savoyard, acheté des produits de qualité fabriqués en Suisse, non loin de chez eux, pour que ces produits restent disponibles localement.

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Tiptop

WilhelmAugustHeinrich 09.06.2020

Das ist meine erste Tenorblockflöte und meine erste Küng. Somit wohnt nun eine Schweizer Flöte mit meinen deutschen Sopran- und Altflöten zusammen. Ich finde sie ist anders, das aber nicht negativ gemeint. Ich mag die Haptik des Mattlacks sehr, es fühlt sich irgendwie....samtig an. Und im Vergleich zu den anderen getesteten Tenorflöten ist sie kräftiger gebaut, aber genau das hat mir gefallen. "Man hat schön was in der Hand", trifft es wohl am besten. Der Hauptgrund, warum ich mich für die Küng entschieden habe, ist, dass sie schön zu greifen ist, weil die Löcher etwas enger sind (jedenfalls empfinde ich es so). Ich habe für eine Frau durchaus große Hände mit langen Fingern, aber diese hier ist für mich sehr komfortabel. Beim Spielen hat sie einen wunderbaren, weichen Klang. Aber im Vergleich zu den beiden anderen Herstellern M. und M. braucht sie mehr Luft. Aber das muss ja kein Nachteil sein. In jedem Fall würde ich sie wieder kaufen.

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