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Pyramid Gold Flatwound 412100

29

Electronic Guitar String Set

  • Gold flatwound series
  • Polished (flatwound) strings
  • Gauges 013-017-024w-033w-042w-052w
  • Authentic sound from the 50's and 60's
Available since July 2005
Item number 183686
Sales Unit 1 piece(s)
Gauge 013 - 052
Strength of the strings 0,0130" – 0,0520"
Material Nickel
232 kr
Including VAT; Excluding kr200 shipping
In stock
In stock

This product is in stock and can be shipped immediately.

Standard Delivery Times
1

29 Customer ratings

4.7 / 5

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sound

quality

11 Reviews

M
Heavy Gauge
Marduf 05.02.2018
Very good accurate sound on a 15" Artisan Archtop.
The G string is a bit too heavy about 13% more than the others, you can feel it when tuning. On mine it breaks the steel string cable setting that holds the (Benedetto style) tailpiece and i had to replace it with high resistance Dyneema rope.
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P
Pyramid Flatwound strings
Peter345 29.05.2013
Perfect jazz tone at a reasonable price. Cheaper than Tomastics and just as good. Buy 'em now!
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K
The best flat wounds I have found.
Kevin765 29.05.2013
In my experience these are the best available flatwound strings for guitar. Thomann has by far the best price around too. Usually these cost £20+(GBP), so thet're a real bargin here.
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K
Pyramid Gold Flatwound 412100
Kai338 29.01.2010
Die Pyramid Gold Flatwound Saiten, bringen den Schwung der guten alten Zeit der 60er Jahre auf jeden fall direkt auf Ihre Gitarre. Bei den Musikern, die sich dem warmen Sound der Beatmusik verschrieben haben, sind diese Saiten ein Muss und sollten in keinem Gitarrencase fehlen.

Es ist die lange Tradition, die hochwertige Verarbeitung und die Liebe zum Detail, die dieses Produkt einzigartig machen. Hier hat man auch für den kleineren Geldbeutel einen hohen Nutzungsgrad.

Durch die extra Nickelummantelung und die glatt geschliffene Oberfläche der Saiten, kommt der Sound der sixties in erster Qualität aus dem Verstärker und bringt noch mehr Originalität und Freude beim spielen. Besonders gut geeignet für ES-und Jazz Gitarren.
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