When I read the endless praise of more expensive, high-end gigbags, from the usual brands that shall remain nameless, I am reminded of Ferris Bueller talking about Cameron's dad's Ferrari and saying: "If you have the means, I highly recommend picking one up". So, sure, get a Mono or an Access or one of the fancy ones if you are okay with spending that amount of money on a gigbag. (Mind you, if you travel on foot across Brooklyn daily and you feel like you need the full protection of an expensive gigbag, who am I to judge you? You are right to invest in the things you use every day.)
In my experience, however, a good, padded gigbag will do just fine in most situations—that is, in those situations which do not require a hardshell case: there, even a high-end gigbag might struggle. My school of thought brings me to use a hardshell case where a hardshell case is needed. (By way of an aside, yes, semi-hardshell cases are great: but they are expensive, and a little impractical because you can't really fold them over, which may be necessary for storage.)
So, this thing seems pretty much indestructible. I have used it quite a bit and it looks like it's still got a lot of life in it. Several bumps it took on virtually every component of a London tube train were not reflected in the basses that were carried in it, so I guess the very thick padding does work. The straps work well, it has space for more or less anything (music, pedals, a laptop). I am not sure what else I could ask for. Perhaps most importantly, the thing is cheap: this is the price of a very average gigbag, while this feels quite luxurious to me. So, like Ferris, "I highly recommend picking one up".
There is one final caveat I must make: if you want to use the SKB 44 ATA Roller case, be careful because it will be a tight fit. Depending on your instrument, you might want to remove some of the SKB's internal padding.