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4 Octave semi-weighted keyboard with 49 keys, velocity sensitive and aftertouch
3 Discrete VCOs per voice
Simultaneously selectable waveforms: triangle, sawtooth, inverted sawtooth and variable-width pulse
Pulse width per oscillator
Hard sync: oscillator 1 synchronises with oscillator 2
LFO mode (oscillator 3)
Keyboard tracking on/off (oscillator 3)
Oscillator feedback and drive control for increased signal saturation
White noise source
Keyboard pitch tracking on/off
Switchable two/four-pole, discrete, resonant low-pass filter per voice
Filter can be set to self-oscillation with the resonance control
Bi-polar filter envelope value
Speed modulation of the envelope
Keyboard tracking: off, half, full
4-Stage (ADSR) envelope generator
Speed modulation of the envelope
LFO with 5 waveforms: sine, sawtooth, inverted sawtooth, square and random (sample and hold)
LFO synchronisation
Poly Mod
Vintage knob recreates vintage synth characteristics by adding variations in component behaviour from voice to voice
Aftertouch
Clock
Arpeggiator
Polyphonic step sequencer with up to 64 steps and pauses
Effects: stereo analogue distortion, two 24-bit / 48 kHz digital effects including reverb (room, hall, plate and spring), delay (full-bandwidth digital delay and emulated bucket brigade delay), chorus, flanger, phaser and ring modulator
Illuminated pitch and modulation wheels
Transpose control for an 8-octave range
Unison mode (monophonic) with a configurable number of voices, from one to all six voices, chord memory and key modes
500 User and 500 factory programmes in 10 banks of 100 programmes each
Built-in power supply 100 - 240 volts at 50 to 60 Hz
Side panels made of maple wood
Dimensions (W x D x H): 807 x 323 117 mm
Weight: 9.5 kg
Connections:
2 Line outputs: 6.3 mm jack
Stereo headphone output: 6.3 mm jack
MIDI In/Out/Thru
USB MIDI
Filter cutoff input for expression pedal: 6.3 mm jack
Expression pedal input for volume control: 6.3 mm jack
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Sadly the last masterpiece of Dave Smith, this synthesizer is totally worth the price, I often find myself spending hours upon hours just playing around with it. It never ceases to amaze me, it’s a modern synth that can do your bread and butter synth sounds and much more!!! I’m really impressed by Thomann’s amazing customer service and fast delivery. Overall it has much character that gives it a distinct flavor when compared to the other 6 series. I’m completely satisfied with my purchase and very glad I chose the Trigon 6.
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IA
Versatile analog poly
Infested Alien 23.07.2023
First the look, it has been some divide feelings for some because of the light maple wood end panels. I enjoy them and they look very appealing when you see them in real and not in video / photo.
Then the interface, it's very easy to get an overview of all the knobs and parameters. The knob-caps are in plastic which is something I didn't expect. The knobs that are bi-polar are easy to turn, the octave knobs for the oscillators goes with a smoth and gentle tactile feeling when you move them and they are endless encoder type of knobs. The rest of the potentiometer knobs are a bit hard to turn before they get "runned in" which is similar to the feeling of the PRO3. So expect the filter-cutoff knob to be hard to turn also and it's a bit easy to slip when the knobs are plastic.
The sound and the filter. It's a wide range of sounds you can create with this. Pay attention to the 2 pole mode which gives the synth more flexible usage together with the 3rd oscillator that can be set in "LFO-Mode" an advice is to try set the velocity response to setting number 6 and try play around with velocity on AMP and Filter and you will be suprised how expressive your patches can become on this analogue machine. Also notice that this synthesizers filters resonance is a dream. I think it has a unique sound when you reach into the early stage of self oscillation.
My rating of this transistor-ladder type of poly is basically 5 / 5. The build quality is top notch. The only thing I feel I think could be a bit better but it's more of a personal taste i guess is the knobs that they have plastic caps and are hard to turn in the beginning before being "runned in". But thats a smaller problem when the rest is perfect and the sound is what I like from it.